Starfleet Academy Unintentionally Revives One of the Most Controversial Aspects of Star Trek: Deep Space Nine
By Chris Snellgrove (https://www.giantfreakinrobot.com/author/chrissnellgrove) | Published just now
When we talk about NuTrek, a sentiment often shared among critics, including myself, is the notion that Star Trek has lost the essence it once had during its classic era, particularly in remarkable series like Deep Space Nine. However, a recent episode titled "Series Acclimation Mil" from Starfleet Academy serves as a cautionary reminder for us skeptics: be careful what you wish for! This episode inadvertently brought back a notably criticized element of Deep Space Nine—merging an engaging, character-driven A Plot with one of the most absurd B Plots ever created.
To provide some background, during the Golden Age of Star Trek, writers typically wove two primary storylines into each episode. The central narrative was identified as the A Plot, while the secondary narrative was termed the B Plot. This dual-plot structure generally succeeded because it allowed more characters to shine and provided viewers with an additional storyline that could be equally or even more enjoyable than the main arc.
However, this narrative technique can falter dramatically when the A and B Plots are completely at odds, leading to episodes that feel disjointed and awkward. Deep Space Nine showcased several examples of this mismatch: for instance, in the episode "Life Support," the serious A Plot revolves around Dr. Bashir's efforts to save a significant Bajoran spiritual leader, which starkly contrasts with the B Plot where Jake must explain to Nog that his constant misogynistic comments are off-putting.
Similarly, in the episode "A Call to Arms," the intense A Plot detailing the Dominion invasion is bizarrely accompanied by a B Plot centered on Rom and Leeta’s cringe-worthy wedding, which humorously quotes Casablanca.
In my opinion, one of the worst mismatches in Deep Space Nine occurs in "Doctor Bashir, I Presume?" Here, the A Plot reveals Dr. Bashir's troubled relationship with his parents due to their decision to genetically engineer him as a child. It’s a profoundly impactful episode that deepens our comprehension of the character. Yet, it’s also marred by a B Plot involving the creator of the Emergency Medical Hologram, who is portrayed as desperately seeking romantic encounters with Leeta, whose characterization borders on farcical ignorance.
Now, how does all of this relate to Starfleet Academy (https://www.giantfreakinrobot.com/topic/star-trek-starfleet-academy)? In the recent episode "Series Acclimation Mil," we witness an ambitious A Plot where cadet SAM investigates the final fate of Captain Sisko. Her exploration not only sheds light on Sisko’s remarkable achievements and personality but also highlights the monumental legacy he left behind. The episode features cameos from notable characters like Jake Sisko and the latest version of Dax, while SAM grapples with her role as an emissary from her holographic homeworld to the Federation.
Regrettably (and somewhat inexplicably), this substantial A Plot is paired with a B Plot featuring Chancellor Ake attempting to assist Commander Nelrec in preparing for the arrival of a visiting dignitary. This subplot primarily serves as an excuse for comedic shenanigans, where the officers engage in bizarre humor and prop-based antics. The climax involves a fish unexpectedly deflating, prompting uncontrollable laughter from the officers, despite their collective wisdom spanning roughly 1,500 years.
It’s a bafflingly unfunny scene that nearly overshadows the rest of the episode's compelling narrative. Amid significant lore revelations about Sisko, viewers are treated to cadets spewing glitter and the ship's digital dean making juvenile jokes, creating a viewing experience reminiscent of shows like Beavis and Butt-Head rather than the profound storytelling Star Trek is known for.
Ironically, "Series Acclimation Mil" manages to echo one of Deep Space Nine's more criticized aspects by juxtaposing a meaningful A Plot with an utterly ridiculous B Plot crafted by the writers. While this makes for frustrating storytelling, it’s evident that such mismatches were prevalent during the Golden Age of Star Trek. Now, Starfleet Academy seems capable of emulating the less favorable traits of DS9; however, one can only hope that these newer writers will eventually master the art of delivering compelling narratives without resorting to the embarrassingly juvenile humor that detracts from the overall quality.
